Decoding Turnbull: what his 2015 acceptance speech really said

On the day of the 2016 Australian Federal election, let’s rewind to last year.  On September 14, 2015, Malcolm Turnbull ascended to the party Liberal Party leadership, and Australia breathed a collective sigh of relief as the brief, but strange and destructive, reign of Tony Abbott came to an abrupt end.  There was a sense, especially amongst Australian progressives, that we might see a return to a more moderate Liberal Party. And if you cursorily examine Turnbull’s acceptance speech, it sounds thoroughly sensible and moderate, touching on now-familiar bromides of “creativity” and “innovation”:

“This will be a thoroughly Liberal Government. It will be a thoroughly Liberal government committed to freedom, the individual and the market. It’ll be focused on ensuring that in the years ahead as the world becomes more and more competitive and greater opportunities arise, we are able to take advantage of that. The Australia of the future has to be a nation that is agile, that is innovative, that is creative. We can’t be defensive, we can’t future-proof ourselves. We have to recognise that the disruption that we see driven by technology, the volatility in change is our friend if we are agile and smart enough to take advantage of it. There has never been a more exciting time to be alive than today and there has never been a more exciting time to be an Australian. We will ensure that all Australians understand that their government recognises the opportunities of the future and is putting in place the policies and the plans to enable them to take advantage of it.”

Who can be against any of that?  Sounds good, right?  Being agile, creative, innovative! Yeaah! But having lived in the United States through the first dot-com boom, the Global Financial Crisis, and now the current tech-boom that creates only a relatively small number of jobs (and wealth for only a few of those in those jobs) and the rise of the predatory “sharing economy” of AirBnB and Uber, many of these phrases ring hollow to me. Phrases that use words like agility, creativity and innovation are very handy because they sound great as sound-bites, but are more often used as a fig leaf to disguise the true agenda.  Cognitive linguist George Lakoff in Don’t Think of an Elephant and Moral Politics has written extensively about how US right-wing think-tanks like the Heritage Foundation and the American Enterprise Institute have been successfully using words and metaphors to “frame” otherwise unpalatable policies for decades.  These think-tanks have, in turn, been diligently exporting these framings around the world through exchanges with Australian equivalents like the Institute for Public Affairs. Creativity and innovation used in the context of the LNP are code for a corporatist neoliberal set of policies that is focused on one thing and one thing only: enriching those already wealthy with even more wealth.

Many progressive Australians didn’t really see this true agenda clearly and wanted to believe that this would be a kinder, gentler Coalition government. I, too, shared this hope (although there were some commentators at the time who were not buying it). And, while the rhetoric on social issues like gay marriage has clearly shifted in a more moderate direction, in the areas that affect the most people: economics, benefits, job security and investments to build a better future, the Turnbull government has doubled-down on the economic rationalism. (The Labor Party under Shorten, by mostly sticking to economic rationalism-lite, has failed to offer a truly compelling alternatives).

So before today’s election I offer this handy decoded version of Turnbull’s acceptance speech to reveal what he really means:

“This will be a thoroughly NeoLiberal Government. It will be a thoroughly NeoLiberal government committed to freedom, the individual and the converting any  remaining  institutions devoted to the public good over to market-based solutions even in areas where they demonstrably do not work like healthcare, labor markets, carbon emissions regulation and financial regulation. It’ll be focused on ensuring that in the years ahead as the world becomes more and more competitive because we’ve engineered it to be so through deregulation and capital market expansions and flexible labor market policies and there is greater misery opportunities for ordinary people, we are able to the lucky and the wealthy can take advantage of that. The Australia of the future has to be a nation that is agile and jumps when transnational corporate interests want us to jump as specified in “trade” agreements like the TPP, that is innovative in creating wealth for a smaller number of people with fewer stable jobs through more complicated financial services and instruments, that is creative in moving money around but is not creative in challenging corporate interests and we will defund the those in the sciences or arts organizations that do so. We can’t be defensive, we can’t future-proof ourselves by collectively deciding where we allocate our resources democratically. We have to recognise that the disruption that we see driven by technology  neoliberal policies that deliberately transfer wealth up the hierarchy by invoking an outdated notion of  technological determinism to disguise those policies, and that the volatility in change is our friend if we are for those of us who are agile and smart enough to take advantage of it, and we will heap scorn and derision and demonize those who question these policies. There has never been a more exciting time to be alive than today if you’re in the 1% and there has never been a more exciting time to be an Australian in that 1%. We will ensure that all Australians understand that their government recognises the opportunities of the future for its wealthy friends in the corporate class and is putting in place the policies and the plans to enable them to take advantage of it, by privatizing Medicare, deregulating the public university system and introduce US-style student loans and removing people or groups in positions of authority in institutions such as the CSIRO or the ABC that question these policies.

In the Turnbull/Liberal National Party “vision” there is no sense of the common good, of building a democratic future together, of supporting and strengthening civil society, of investing in basic science (outside of narrowly defined biomedical science, funded through cuts to Medicare), or growing sustainable (i.e. non-venture-capital based) small and medium sized businesses that create long term value for Australians. Just every agile man and women for him or herself in the global marketplace.

Get jumping!!

From The Secret River to Stan Grant’s debate

The current longest non-stop flight in the world is the Qantas route from Sydney to Dallas: 14.5 hours in the air in an Airbus A-380.  A couple of weeks ago I was sitting on  that Airbus flipping through the inflight entertainment system in that semi-catatonic state that all long-haul flights seem to induce, when I stumbled across an intriguingly-titled television series: The Secret River.  It turned out to be a two-part mini-series originally broadcast by the Australian Broadcasting Corporation based on a novel by author Kate Grenville.  The blurb promised an exploration of an emancipated convict in the early days of the colony of New South Wales, carving out a new life on the Hawkesbury River (the Secret River of the title).

I thought to myself, this seem promising, and settled back expecting a mildly diverting period piece about early Australian history that I had never seen dramatized.  I imagined it might be a little dry and slow, but would have great images of the bushland that I was familiar with growing up (the Hawkesbury is just a 20-30 minute drive away from where I grew up), I was interested to see how the producers recreated the early Australian colony, and at the very least it would while away about 3 of the remaining hours until touchdown in Dallas.  Instead I found myself watching a graphic and unsentimental depiction of the often brutal confrontation between the early European settlers and the indigenous people, the Australian Aborigines.Read More »

From the vault: interview with Australian group Boxcar

Having started seeing some more live music again recently, I was inspired to repost some music-related stories from the vault (originally on my old, now defunct, website).  The first is an interview from back in the 1990s with the then Brisbane-based electronica act, Boxcar (they since changed their line-up and moved to Sydney).  Boxcar went on to release a follow-up album Algorhythm in 1996 and reformed around 2007 for some live dates.   Boxcar’s current activities can be found at their website.  It’s interesting to see how much has changed, back then there was a real divide between “dance music” and “rock” in popular music, which seems to have been entirely erased.

Techno grooves downunder

boxcarAn Australian dance band? That actually play live? I don’t believe it! A common reaction when people hear about Boxcar. Alex Lancaster recently spoke with vocalist and guitarist David Smith and keyboardist Brett Mitchell.

This Brisbane four-piece (Carol Rohde and Crispin Trist complete the line up) are making a niche for themselves in a genre that has spawned a host of sound-a-like, fly-by-night acts and they certainly don’t fit into that moribund format of “Oz rock”. This a point which Brett Mitchell brings up: “You can see rock bands getting desperate by those Choirboys posters.” “Have you seen those posters?”, adds Smith, “Classic. ‘Fuck Dance, Let’s Rock’. I mean how many dance acts do you see saying ‘Fuck Rock, Let’s Dance’? They don’t seem to feel threatened by rock music.”

we were saying things like ‘you like AC-DC?’, ‘yaaah’, ‘well we’re not going to play any crap like that’ – and there were threats at the mixing desk”

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“It’s Time”: remembering modems, BBS, Telecom, Gough and The Dismissal in Peter Carey’s Amnesia

Author Peter Carey, one of Australia’s best known literary exports (he has lived in New York City for the past 20 years) is probably most identified with novels such as The True History of the Kelly Gang, Illywhacker, and Oscar and Lucinda which all draw heavily on Australian history and mythology of the late 19th and early 20th centuries.  Oscar and Lucinda  was also made into 1997 film film of the same name featuring Ralph Fiennes and Cate Blanchette.  Despite this reputation, Carey has written novels that deal with more contemporary life, including the darkly comic Bliss, in which bored advertising executive, Harry Joy, is briefly clinically dead, but upon returning to life, finds himself in a reality that may, or may not, be a version of hell.   (Bliss was also made into a highly underrated film, with the peerless Barry Otto as Joy).  Carey’s most recent effort, Amnesia, delves into the very present day concerns of technology and surveillance.  Largely split between a present-day “thriller” narrative and a slightly disheveled and cut-up history of both 1950s and 1980s Melbourne life as seen through the lens of politically active family, Amnesia fuses Carey’s brilliant use of language, with more overt political undertones.

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