Since the first PTW in 2001, the conference has been a gathering place to explore and celebrate performance as a catalyst for human and community development and culture change. PTW is now a global community of hundreds who creatively engage social problems, educate, heal, organize and activate individuals, organizations and communities, and bring new social-cultural-psychological and political possibilities into existence.
The Ronin Institute’s Research Scholars are drawn from many different career stages, levels of experience and backgrounds, and given that we don’t advocate a single model of a career in scholarship (in contrast to the traditional academic pipeline), it isn’t surprising that Research Scholars explore many different means to support their scholarship (we are still analyzing the results of the independent scholarship survey we did last year, but this much is clear). For many Research Scholars who are also freelancers, especially those in the sciences, one common means of support is being hired for short or long-term projects by academic institutions, private companies or non-profit organizations. This may be in in full-time or part-time capacity as an independent contractor or consultant. Ideally these projects utilise the scholars’ unique research background and skills and the experience and skills gained during consulting activities will…
One the major points of the paper is that we need to move away from the currently closed system that emphasizes artificial scarcity (e.g. in journal spots), towards a system that emphasizes abundance, and we feel that publishing in journals that use post–publication and transparent peer review (like F1000 Research) helps us “walk-the-walk” as we build those new ecosystems.
Table 1 from the paper reinforces this point: illustrating the contrasting language between…
As scholars, we are constantly negotiating our relationships to our field(s) of study and to our job titles. In the sciences, a PhD can remain a “physicist” whether in a professorial job in a university, national lab, or industry
But what of the humanities? If an anthropologist with a PhD is not employed as an academic in a university, are they any less an anthropologist? For many traditional academics it is almost inconceivable to remain a scholar without being either in a tenure-track position, or on the road to one. The number of people willing to take poorly paid adjunct positions to stay on the treadmill is testament to the persistence of this idea, and even in the sciences the culture is slow to change as we’ve noted previously. Twitter and the blogosphere is overflowing with discussions of “alt-ac”.
The Cultivating Ensembles in STEM Education and Research (CESTEMER) was held at the Goodman Theater in downtown Chicago on September 15-17, 2017. Initiated by Raquell Holmes and improvscience in 2012, it brings together a diverse mixture of scientists, artists, humanists and performers to discuss and discover new ways of doing science in groups. I was fortunate to attend and gave short talk outlining how the Ronin Institute is aiming to foster new ways of thinking of the scientific enterprise as an “ecosystem” of peers. I have a post up on the Ronin Institute blog about my talk and my experience of the conference. Here’s an excerpt:
In this ecosystem, scientists collectively empower themselves to build scientific careers in whatever mode or style works for them in the context of the rest of their lives (whether this is in a university setting or elsewhere). I contrasted this ecosystem idea…
A recent editorial in Nature “Young scientists thrive in life after academia” on the future of careers for today’s scientists is on one hand, both optimistic, but on the other, deeply unsatisfying. The editorial is clearly well-intentioned, providing what it sees as a hope for a generation of new scientists facing the worse funding climate and academic job market in decades. I agree with the editors that it is encouraging that people with PhDs and long periods of training are finding gainful employment.
However the editorial has what might be called a cultural blindspot: the default assumption that doing research science is largely an activity that one undertakes only within a specific set of jobs performed in specific institutions and once you’re out of those institutions, there’s both no way to continue, nor any way back. Of those who moved out of academic positions:
Many had managed to stay in touch with science, and worked in a related function such as administration, outreach or publishing.
This seems to me to be disempowering: the best one can hope for is “to stay in touch with science”. Is this really the most we can do for those who have spent many years acquiring skill and knowledge of a subject? Is doing science really like a step function: all or nothing? To be fair, the editorial doesn’t say this, but that’s how I read the subtext.
David Barsanti is a Santa Fe-based musician, drummer, DJ and GIS analyst and has lived in the City Different since the early 1990s. When not playing in various bands around town, he is actively DJing around Santa Fe and northern New Mexico under the moniker Spinifex. He and I created theTwisted Groove radio show that aired in the midnight slot on community station KSFR back in 2000. Although I left Santa Fe for the Bay Area, David has continued the show, going from strength to strength, and in the process, gaining a more sleep-friendly 10pm timeslot. Following up on the 16th anniversary of the show, I recently chatted to David about the Twisted Groove, the Santa Fe music scene and how music and radio has changed in the intervening years.
Tell us about how you got to Santa Fe
I first came to Santa Fe after getting a sociology degree with an anthropology focus from Keene State College where I’m originally from. After college I was still working in New England in archeology, but really looking for a change in environment. I was also really struggling to find work in archeology during the winter – you couldn’t find just work everywhere – it’s definitely hard to excavate then! So in November 1991, my girlfriend at the time had contacts here and we planned to come here together but that didn’t work out but I needed winter work so I was driven to find work here in SF. I was hired to do field work in the winter, and I stayed. Now by day I work as a GIS analyst for the City of Santa Fe.
What got you into music?
I have always been into music, it was a big part of the family growing up. My oldest brother grew up in the Woodstock era so I always heard a lot of music from that time. And although my parent’s weren’t musicians themselves there was always music around the house, my Dad had worked for Sylvania, an early TV manufacturer that was eventually acquired by General Telephone and Electronics. So we always had TVs and radio stereo of the best quality around the house, which was another way I really got into sound and music.